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A Midsummer Night’s Dream Scottish Opera review by Kelvin Holdsworth

  A Midsummer Night’s Dream Scottish Opera Glasgow – 22 February 2022  Kelvin Holdsworth  Scottish Opera’s covid-delayed production of Britten’s   A Midsummer Night’s Dream   is full of fun. Good singing and powerful stage magic make for an entertaining evening.  As the curtain rises, we are faced with a proscenium arch within a proscenium arch – presumably a nod to the play within a play that concludes the   Dream . We are drawn straight into director Dominic Hill’s comfort zone –a big open stage with wide open wings. Above and beyond the stage, large beds float in the air which will become part of the business later on and the inner arch forms the frame for a hall of mirrors – mirrors which were to become problematic as the evening unfolded.  Benjamin Britten’s version of Shakespeare’s play puts the territory of a fairies firmly at the centre of the action. The piece opens, not with Theseus and Hippolyta but with Oberon and Titania. It is thus s...